Palazzo Te photos up on Flickr!

Here's a link to my new photo set from the Palazzo Te in Mantova. Extraordinary place that was primarily the work of one man, Giulio Romano, who designed both the architecture and directed the interior decorations, including painting many of the frescoes himself. Awesome place to visit!

Palazzo (del) Te- Mantua

Day Four- Palazzo del Te

Day four began with a decent breakfast at our place- this one had fresh eggs, baked goods, cheese, ham, and assorted other goodies in a nice, light-filled room. Not fancy, but not a bad deal for around $??/ night. As soon as we had eaten we took off for the Palazzo del Te, trying to beat the heat that we knew would be in full effect by 11 am. It wasn't a long walk to the palazzo, passing through a shaded park and getting there pretty fresh. The Palazzo (del) Te was built in the 1520s for the dynastic heir Federico Gonzaga as a pleasure palace outside the city walls for the soon to be Duke to escape the pressures of court with his mistress. Pretty funny when you consider it can't be more than about a half hour walk to the Palazzo Ducale at the far end of town. But pleasurable it is, with thick walls surrounding a courtyard, and a playful architecture that gently mocks the pretenses of classical style. But I came for the interiors, and I was not disappointed. 

Both the architecture and the art inside were commanded by Giulio Romano, a pupil of Raphael's who worked on the Vatican Loggias and the Villa Madama, which he took over after Raphael died. Romano's humorous touches are everywhere, from oversized architectural elements to an odd collection of murals, including large photo realistic portraits of horses in the main salon, and a room where giants are seemingly crushed by the falling walls of the room itself. Photos were banned here too (damn them picture cops!) but it wasn't too hard to sneak, and there was pretty good natural light in many of the rooms. There was an unfortunate contemporary art exhibit going on in several rooms, including the Giants, with an intrusive sculpture that emitted lightning flashes and loud thunder, making it very difficult to take in the room. Still, it was very enjoyable, and just when I was getting a bit frustrated with the prying eyes of the photo pigs, we hopped out and across the former entry court over to a small grotto area, where there were some beautiful grottesca style murals and nobody around to prohibit picture taking. Ahhh!

By this time we were ready for lunch, so we headed down to our favorite grocery store to restock on the usual fare, which we ate in the same park we had eaten in the day before. This time there was a crew (just two guys actually) trimming the topiary with a loud power shear. Wasn't too awful, but I kept thinking about how pleasant it would have been with someone doing the same job with hand shears. So many things about our current economic state that don't always make sense. After lunch we took in a beautiful 11th century round brick church that was only recently disentangled from the surrounding buildings and restored. It had a very serene feeling inside it.

We also went over to the Basilica of Sant'Andrea, which we had not been able to visit thoroughly the day before. Commissioned by the Gonzaga family in 1462, the church was designed by one of the most influential Renaissance architects, Leon Battista Alberti. It wasn't actually finished until 328 years later, but it is still considered to be one of Alberti's most complete designs. It was unfortunately hit pretty hard by the earthquake of 2012, but repair work was in motion, with a gigantic scaffold in place. The scaffold did cover quite a bit of the decoration, and it completely blocked the view of the large dome, but there was still plenty to see on the walls and what could be seen of the vault. I really wished I could climb up on that scaffold and look at that stuff up close, but it didn't look like a possibility, and Marianne didn't look that patient.

We now had a pretty good handle on which streets to follow to stay out of the sun and see pretty vistas, so we headed back slowly, with a gelato and a pack of cookies, to the room for a short rest, then reemerged at the dinner hour, stopping at one of the fine little hosterias on the Piazza delle Erbe, the traditional market square. I had a local specialty, a freshwater fish in green sauce, while Marianne tried the totelli di zucca, pumpkin filled pastas. Both were delicious, and our waiter was from Puerto Rico, so I completely addled my language brain by switching back and forth from Italian to Spanish. For some reason, maybe because the two are fairly close to each other and because I'm more familiar with Spanish, this always ties my tongue up in little knots. Still, it was fun, and the piazza was very romantic with lights strung across and loads of mostly Italian tourists visiting and chatting. We went back to our place with a real desire to come back again to this town.

Day Three- Mantova

The small town of Mantova (Mantua) has long been on my list of things to see in Italy, mostly for the Palazzo del Te, Giulio Romano's masterwork. I was very excited to be able to include it in our itinerary. Mantova is a unique town surrounded by 3 lakes that are actually dammed parts of its river. Now it is a peninsula in the river; previously it was an island, with the lakes forming a good sized moat to keep it safe from invaders, a necessity in the dead flat plain where it lies. 

Original entry to the Palazzo Te was over this moat

We started our day at the main train station in Milan, a beautiful barrel vaulted Art Deco space clad in white marble with large tile murals. Our first encounter with the automated ticket machines was positive- they show you all the trains that are available, what they cost, and then take either your credit card or your cash and dispense your ticket. Easy as pie! On the train we discovered the one other thing you need to know, which is to get your ticket validated at one of the little timestamp machines in the station, or they charge you 5 Euros! Won't make that mistake again!

Art Deco train station in Milan

We arrived in Mantova before lunch time and I realized I hadn't saved the screen that showed where our hotel was exactly. I remembered it was pretty near the train station, so we decided to walk across the street and ask at the first hotel we saw. Despite having a completely different name on the sign, turned out this was our place! Convenient! Plopped our stuff into the room, noting the good AC it had, then walked out to find some food and go to the Palazzo Ducale, another site I knew about. On the way to the Palazzo we found a good sized supermarket and picked up picnic supplies- arugula, tomatoes, some fresh mozzarella for me, some beans for Marianne, some marinated veggies, delicious apricots and some dark chocolate! Then we headed out to find the Palazzo. In my defense, Italian towns and cities have no semblance of grid pattern to them, and the maps they hand out most places conveniently skip over a lot of the smaller streets and alleys, so of course we were off track and lost within about 20 (hot and getting hotter) minutes. We paused by the river dike to get our bearings and realized we'd have to backtrack to get around the little inlet that blocked the way, decided the park there was a bit seedy, then hoofed it another 20 minutes until we found the Palazzo, and a delightful little park next to it for our repast. 

Lunching under the linden trees next to the Palazzo Ducale

The park was shady and had a nice fountain in the center, with topiaries and benches set all around. The linden (or lime) trees were in full bloom, giving off a heavenly scent somewhat like jasmine, as we munched our lunch contentedly. After we packed up our leftovers, we entered the immense palazzo and found ourselves in a series of large shady rooms with windows wide open to the park, so that the fragrance permeated the space, lending a feeling of timelessness to the halls. 

Pisanello made a sinopia for a mural of the crusades,  but it was not painted and was subsequently whitewashed over, only to reemerge in the 20th century.

The Palazzo Ducale could be a museum of decorative wall painting, with frescoes that range from late medieval up to the 19th century. Some of the earliest displays were removed from other spaces, churches mostly, and placed on the walls here for protection. It always astounds me that it's even possible to remove a fresco mural, seeing as how they are essentially a very friable layer of plaster with delicate pigments adhered to the surface. Yet somehow they do it without losing too much, and they were placed in these spaces close to their original configurations. There was a fascinating room that displays the sinopia made by Pisanello for a battle mural that was never finished. A sinopia is an underlying drawing for a fresco, usually done in an earth red paint or chalk, though in this case he also used black. 

The Hall of Mirrors at the Palazzo Ducale, from the early 17th century

Further on are rooms that display high Renaissance murals, including Mantegna's famous "Camera degli Sposi" with its trompe l'oeil oculus and peering figures looking down from the ceiling. Unfortunately this room was closed because of earthquake damage from the year before, but it was hardly missed considering the wealth of other rooms to look at. The photo police were in effect here, so that I had to be cautious about where and when to click, but I did manage to snap quite a few anyways. There are courtyards and gardens, staircases and grottoes, all looking to be in relatively good shape with water and air quality issues seemingly under control. There was a beautiful set of very early rooms down deep in the castle where you could imagine the mistress retiring to stay cool during the hot summer months. There are murals by Rubens, Romano, and many others, and a whole wing of neo-classical rooms that contain a set of tapestries too. There was also a large dining room in a Rococo style with figures of the six nearby rivers and grottoes at both ends of the room. I could easily go back for another round in this museum, and hopefully I can get permission some day to photograph it unmolested.

Also in the Palazzo Ducale is this 18th century dining room with personifications of six rivers of the area, and grottoes at each end of the room.

Across the piazza from the palazzo is the Basilica di Sant'Andrea, which also was damaged by the earthquake but is in full swing to repair and restore its interior, with a gigantic scaffold I would have paid plenty to climb (they even had an elevator on it!) We went in just as they were closing though, so we left quickly with a vow to return the next day. We continued our tour of the parks with another one not far away where we watched the river for a while (though there was a busy street between us and the water), then we had a second picnic on a quiet bench behind a graffiti scrawled monument. Graffiti is immensely popular in Italy now, as it has been since Pompeiian times. It ranges from stupid tagging of ancient marbles to some colorful and witty pieces around the train stations. I'm not categorically against it, but the taggers should have more respect for the artists that came before. We walked back slowly as the swallows came out and circled the steeples. It seems like we always find the crappiest streets on our first forays, then gradually find the better routes until we can stay shady and romantic the whole way back. 

Who could not love a window with an elephant!

Our hotel was called the "Antica Dimora" and it was directly across the street from the train station, which was very convenient. We had a plain, clean little room on a lightfilled courtyard, with spotty Wi-Fi, good AC, good shower, and a double bed. It cost €65/nite for two with a nice breakfast. I'd return to it for the price, though there's more romantic places in town to be sure.